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In the early fall of 1958, the notorious Olympia Press in Paris published a novel entitled Candy, an erotic, Rabelaisian satire loosely based on Voltaire's Candide by one Maxwell Kenton, pseudonym of its coauthors, Terry Southern and Mason Hoffenberg. The novel drew the attention of the French censors, was banned, reissued by Olympia's intrepid publisher under the title Lollipop, rebanned, then again reissued. Within years it became one of the most talked-about novels of the tumultuous 1960s, selling in the millions of copies in America alone, its success prompting Hollywood to turn it into a movie.The hilarious, rollicking, sometimes tragic story of Candy's public career is recounted here in full. From the book's humble beginnings in late 1950s Paris through its agonizing three-year gestation (sometimes on paper napkins) and the authors' wily, often self-destructive business dealings with their equally wily French publisher, to its chaotic and controversial publication in the United States, The Candy Men follows Candy's underground then mainstream successwith unblinking scrutiny on the details, including the legal shenanigans that surrounded it, the blatant piracy that plagued it, and the star-studded cast that helped make it into one of the worst movies of all time.Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Written in the uptight Eisenhower 50s in tag-team style by a poet/narcotics addict (Hoffenberg) and 'the ultimate hipster' (Southern), the novel Candy began life as a lark--a quick way to make a few bucks--and ended up a landmark work that not only defined what was (and was not) funny but also what was (and was not) obscene.Candy's strange trip--from initial conception, to completion, and eventual condemnation--is stylishly told, warts-and-all, in THE CANDY MEN via the letters of its main players as they conspire, debate, vilify, and argue with each other over the course of several years. This is engrossing and hilarious stuff at times, petty and mean-spirited at others, as 'he said/she said' type arguments rise and fall over authorship, ownership, division of labor, and (of course) division of money.In THE CANDY MEN, Nile Southern (son of Terry) comes clean about the making of the ultimate dirty book. "Good grief, it's Daddy!" indeed.